365 is an ongoing body of work observing identity as it changes. Through video, photography, writing, and conversation, I record the process of building a life in which my artistic self can participate fully.

The project began after leaving corporate life. For years, I had learned to move between different versions of myself, giving some parts more room than others. I wanted to discover what might happen when the artist was no longer left outside the conference room—when the ways I notice, question, imagine, and create could enter the whole of my work.

Each entry comes from within that transition. I speak before I have resolved a thought, follow an observation, reconsider an assumption, or recognize something I could not see a few days earlier. Recording becomes part of the inquiry. The act of describing an experience can change how I understand it, and that understanding can influence what I do next.

365 unfolds publicly through YouTube, whose structures also become artistic material. Titles, thumbnails, comments, analytics, and the incentives toward visibility and monetization shape the conditions in which the work is made and encountered. I am interested in how those pressures affect what I choose to reveal, how I describe myself, and what an audience comes to expect.

Can a platform organized around performance hold an unresolved question? What happens when a comment enters the next piece of work, or when an analytics report is considered an artifact of an encounter? These questions remain active within the project. Publishing places my inquiry inside the very systems I am examining.

Together, the videos, images, titles, and reflections form an accumulating archive. A thought that feels immediate today will eventually become evidence of an earlier self. In this sense, 365 approaches the future memory that runs through my wider practice from within daily life. I am recording a time before I know what I will miss about it, what will endure, or which apparently ordinary moment will later seem significant.

The project also considers the identities we construct around work: professional success, entrepreneurship, creativity, and the public presentation of a life. I am implicated in these questions. As I try to live and work with greater integration, I also encounter the pressure to make that process coherent, legible, and worth watching. The uncertainty belongs in the work.

Viewers encounter these changes as they unfold. Their observations may enter the conversation, while their own recognition can remain entirely private. Watching someone reconsider who they are may bring an earlier self to mind, or make a possibility in one’s own life newly perceptible.

365 asks whether becoming can be witnessed while we are still inside it. The archive continues to grow, holding the distance between what a moment meant when it was lived and what it may come to mean when we look back.

View the full investigation HERE.